Patron Saint of Superheroes |
|
Jimmie Gatz, AKA Jay Gatsby, debuted in dual-identity crime fiction long before the prototypal Bruce Wayne slipped on his Bat tights. F. Scott Fitzgerald’s The Great Gatsby rolled off the press in 1925, Detective Comics No. 27 in 1939. When Bob Kane and his writers (probably Bill Finger, possibly Gardner Fox) tacked on an origin story six issues later, they set the alleyway…
( Continue reading )
Who stuck an adaptation of the 1999 cartoon The Iron Giant into the middle of Iron Man 3? Not that I’m complaining. Even The New Yorker loved it (as opposed to the formulaic explosions that bookend the movie). Robert Downey Jr.’s abrasive bromance with 11-year-old Ty Simpkins is the film’s brightest and most unexpected…
( Continue reading )
I’m teaching my Superheroes seminar again this Spring, and Marvel very kindly scheduled Iron Man 3 to fit our syllabus. So my students and I abandoned our classroom and strolled downtown to our smallville theater. Here’s their verdict.
Alejandro Paniagua: “Iron Man 3 was a movie filled with action, violence, and the right amount of comic relief. Eccentric billionaire Tony Stark is portrayed…
( Continue reading )
About five years ago, a group of honors students were trolling campus for a professor willing to create and teach a course on superheroes. They found me. The syllabus I submitted to C&D for approval included a predictable roster of comic books, interspersed with a few influential pulp novels and even a smattering of Nietzsche and Shaw. But then a friend handed me a novel I’d never heard of,…
( Continue reading )
I can restart the Israeli-Palestinian peace process in three words.
But first a lesson in grammar.
Passive voice. Ever heard of it?
Super-grammarian Geoffrey Pullum has. Daily Planet editor Perry White has too. But White, according to Pullum, has no idea what it is.
In J. Michael Straczynski and Shane Davis’ Superman: Earth One, Mr. White explains to cub reporter Clark Kent: “Active sentence structure versus passive structure. A good reporter always goes…
( Continue reading )
Dear Centre for the Study of Existential Risk,
It’s rare to find folks willing to look sillier than me (an English professor who takes seriously the study of superheroes). Your hosting institution (Cambridge) dwarfs my tiny liberal arts college, and your collective degrees (Philosophy, Cosmology & Astrophysics, Theoretical Physics) and CV (dozens of books, hundreds of essays, and, oh yeah, Skype) makes me look like an under-achieving high schooler—which…
( Continue reading )
“I have the power to drop into the Fold,” Arno Strine tells us on the first page of his autobiography. All he has to do is push “my glasses up on my nose Clark Kentishly,” and “I am alive and ambulatory and thinking and looking, while the rest of the world is stopped.”
It’s an unusual superpower, one possibly due to his being born…
( Continue reading )
Google “jennifer egan” and seconds later the term “metafiction” will attach itself leech-like to the side of her postmodern head.
I know this because members of my university have made the possibly foolhardy decision to ask me to give a talk on the Pulitzer winning author for our 2013 Tom Wolfe Weekend Seminar. (This blog, of all things, attracted their attention.) I’m…
( Continue reading )
“I always knew Salazar Slytherin was a twisted old loony,” says Ron Weasley, “but I never knew he started all this pure-blood stuff. I wouldn’t be in his house if you paid me.”
And yet the House of Slytherin has no shortage of new applicants. It’s a Who’s Who of Recent Movie Supervillains, including Magneto, Sebastian Shaw, the Lizard, and the Red Skull. Oh,…
( Continue reading )
POP QUIZ: What do zombies and superheroes have in common?
A. Zack Snyder
B. Shaun of the Dead
C. Marvel Zombies
D. Mutating radiation
If you said A, then you must be pretty excited about the new Superman movie Man of Steel coming out next June. You must also know that director Zack Snyder shot the 2004 remake Dawn of the Dead. I’ve not seen it,…
( Continue reading )